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Musicians are best utilized not singing from a choir loft for the entire service, but by dispersing themselves among the congregation to help those surrounding them learn a new tune. We are lucky enough to have talented music staff to help bolster the congregational voice. In our highly musically literate and ecumenical context, Marquand frequently introduces music through cold reading. Placing strong singers amidst congregation before cold reading. Worship leaders in Marquand introduced new music into worship by: At Marquand, we have noticed several ways worship leaders introduce unfamiliar music while maintaining the assembly’s sense of self-efficacy. New hymns with challenging tunes need careful introduction.” New music is challenging, and a thoughtless introduction of new music often results in requests from a discouraged assembly to never sing that music again. In her discussion on choosing hymns, liturgist and scholar Ruth Duck writes in her book Finding Words for Worship: “Heartfelt participation is possible when the choice of hymns in a service balances familiarity and challenge. This vastness of traditions combined with the rapid turnover makes Marquand Chapel an ideal case study for thinking through how communities learn new music. The student turnover rate brings a completely blank slate of worshippers at least every three years, and with each new community comes new needs and musical resources. The ecumenical nature of Marquand’s worship demands a vast library of musical pieces from countless traditions. Still considered one of the greatest musicals of all time by critics and audiences alike, it went on to win 9 TONY Awards, the Pulitzer Prize and 9 Drama Desk Awards, and made history by playing¬¬ a record-breaking 6,137 performances over 15 years.Ī CHORUS LINE opens at the Drama Theatre of the Sydney Opera House on 11 February 2022 after premiering at the Parramatta Riverside Theatre as part of the Sydney Festival.Marquand Chapel introduces unfamiliar music within the context of worship almost daily. When A CHORUS LINE opened on Broadway in 1975, it created a storm and revolutionised everyone’s notion of what a musical could be. New cast members include Max Bimbi as Bobby, Ross Chisari as Al, Maikolo Fekitoa as Mark, Ashley Goh as Connie, Mariah Gonzalez as Diana, Brady Kitchingh am as Larry, Rechelle Mansour as Val, Ryan Ophel as Greg, 2021 Redbull Dance Your Style winnerTony Oxybel as Richie, Ethan Ritchie as Paul, Suzanne Steele as Kristine, Harry Targett as Don, and Angelina Thomson as Judy. We like to think we’ve come so far, but have we?Īlso returning from the 2020 company are Molly Bugeja as Vicki/Dance Captain, Nadia Coote as Sheila, Lachlan Dearing as Mike, Natalie Foti as Bebe, and Madeleine Mackenzie as Maggie. Themes of bullying, racism, sexism, power and passion are still faced every day, just as they were in the 1970s.
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These stories were based on real people and I want to show that 50 years later these stories translate across time, gender and ethnicity. I am so passionate about letting these stories be heard again and reinstating their relevance. Rivalry and wine paved the way to a weekend of divulged secrets about their upbringing, coming-of-age, sexuality and careers. The 20 roles are based on the real-life anecdotes of Broadway dancers interviewed by Michael Bennett in his East Side studio one weekend in January 1974. It was literally show stopping!”įollowing two postponements due to the pandemic, this brand-new production will finally lay bare the struggles performers face to be seen, heard, recognized and respected. “After Angelique’s solo number halfway through the second act, the audience rose to its feet to give her a standing ovation. Artistic Director Amylia Harris is thrilled to welcome Cassim at is back and recalls the incredible audience reaction to her performance during the final preview in 2020. Fiorentino has performed in Mary Poppins on Broadway Follies and Saturday Night Fever in London’s West End the Australian tour of Aladdin, and Kiss of the Spider Woman for Melbourne Theatre Company.Īngelique Cassim at is, (American Psycho, Pippin, Hair, Saturday Night Fever, Priscilla Queen of the Desert) returns as Cassie, a former star desperate to be part of the chorus in Zach’s new show. Darlinghurst Theatre Company has announced that its long-awaited new production of A CHORUS LINE will open at the Drama Theatre of the Sydney Opera House on 11 February 2022.įeaturing brand new choreography by Helpmann Award-nominated director and choreographer Amy Campbell, this legendary musical stars some of the country’s most talented triple threats, including Adam Jon Fiorentino as Zach, the director loosely based on the show’s creator Michael Bennett.